Volume 38, Number 1 (2013)

Published: 2013-01-01

Front Matter
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Farewell Editorial
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Articles

Politicizing Difference: Performing (Post)Colonial Historiography in Le Théâtre de Neptune en la Nouvelle-France and Sinking Neptune

Kailin Wright
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The Bird of Passage and the Petit Panthéon: Frances Brooke, Philippe Aubert de Gaspé fils, and Where to Begin a National Literature

Alexander Beecroft
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“Off to one side of the curve”: Perpetual Expedition and Regional Identity in M. Wylie Blanchet’s The Curve of Time

Carl Watts
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« Traduire à l’oreille » : vers une poétique de la « musicaméricanité » chez Michel Tremblay

Sathya Rao
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For Play and Gaming: Robert Kroetsch’s Ongoing Godgame

Paul Barrett
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“A Half-Understood Massiveness”: Revisiting John Newlove’s “The Pride”

J. A. Weingarten
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Turning Round About: The Use of Nursery Rhyme in Daphne Marlatt’s Ana Historic

Shane Neilson
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A Family of Migrant Workers: Region and the Rise of Neoliberalism in the Fiction of Alistair MacLeod

Jody Mason
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"One thing can look like another": The Aesthetics and Performance of Trauma in Ann-Marie MacDonald's Fall on Your Knees

Michelle Coupal
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Tradition, Modernity, and the Enmeshing of Home and Away: The Shipping News and Proulx’s 1990s Newfoundland

Dervila Cooke
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À la découverte de l’Occident : le discours inuit sur le Sud dans les œuvres de Minnie Aodla Freeman et de Zebedee Nungak

Nelly Duvicq
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“Magic Moments”: Temporal Modelling and the Call for Responsibility in Lee Maracle’s Daughters are Forever

Elizabeth Jackson
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Death, Animals, and Ethics in David Bergen’s The Time in Between

Katie Mullins
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“Excursions into the Sublime”: A Personal Reminiscence of Carol Shields

Nora Foster Stovel
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Notes on Contributors
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Back Matter
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