Vol. 46 No. 2 (2019)

Vol. 46 No. 2 (2019)

Published January 22, 2020
i - viii
Front Matter
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viii - xv
From the Editor / Mot de la Rédactrice en Chef
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xvi
Notes on Contributing Authors / Notes sur les collaborateurs
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Introduction

Aaron S. Allen, Jeff Todd Titon
1 - 6
Anthropocentric and Ecocentric Perspectives on Music and Environment
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Articles

Matthew Delciampo
7 - 32
Recorded in a Cabin in the Woods: Place, Publicity, and the Isolationist Narrative of Indie Music
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Christine Dettmann
33 - 61
The Calf of the Wild: Sound, Embodiment, and Oral Poetry among Cattle Herders in Southwestern Angola
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Konstantine Vlasis
62 - 84
Paths of Friction: Intoning Societies, Identity, and Nature in 21st-Century Iceland
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Sophie Stévance, Serge Lacasse
85 - 108
La musique de Tanya Tagaq comme engagement cosmopolite : Le cas de « Fracking » (2014)
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Inderjit N. Kaur
109 - 134
A Multisensorial Affective Ecology of Sonic Worship: The Sikh Sacred Song Culture
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Book Reviews

Rosemary Lucy Hill
134 - 136
Mary Celeste Kearney. Gender and Rock
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Mary Ellen Brown
136 - 138
David Atkinson. The Ballad and its Pasts: Literary Histories and the Play of Memory
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Michael B. MacDonald
138 - 141
Benjamin J. Harbert. American Music Documentary: Five Case Studies of Ciné-Ethnomusicology
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Diego Pani
142 - 145
Veal, Michael E. and E. Tammy Kim, eds. 2016. Punk Ethnography: Artists and Scholars Listen to Sublime Frequencies.
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Recording Reviews

Sarah Eyerly
146 - 149
Various Artists. Ahâk! Ahâk! Moraviamiut Tutsiagusingit Labradorimi Inuit (Behold! Behold! Moravian Music of the Labrador Inuit)
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Film and Multimedia Reviews

Ronnie Gibson
150 - 151
Tommie Smith, director. The Groove is Not Trivial
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