Vol. 41 No. 1 (2014): Music and Labour

Vol. 41 No. 1 (2014)

Published November 14, 2014
Music and Labour
Front Matter
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From the Editor / Mot de la rédactrice en chef
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Notes on Contributing Authors / Notes sur les collaborateurs
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Introduction

Christina Baade, Susan Fast, Line Grenier
Musicians as Workers: Sites of Struggle and Resistance
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Articles

Martin Cloonan
Musicians as Workers: Putting the UK Musicians' Union into Context
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Karen Cyrus
Lessons from the Past: The Work Culture of Session Musicians in Jamaica's Recording Industry from 1957-1979
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Sheena D. Hyndman
No Money, Mo' Problems: The Role of the Remix in Restructuring Compensation for Producers of Electronic Dance Music
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John Williamson
Cooperation and Conflict: The British Musicians' Union, Musical Labour and Copyright in the UK
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Matt Stahl
Public, Private, Popular: Pop Performers, Liberalism and the Limits of Rights
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Scott Henderson
Working in a Coalmine: Post-Industrial Spaces and Local Music in Saint-Étienne, France
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Laura Jordan Gonzalez
Les travailleurs au sein de la Nouvelle Chanson Chilienne: la représentation du mineur et l’incarnation du travail musical
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Book Reviews

Ons Barnat
Innu Nikamu – L'Innu chante. Pouvoir des chants, identité et guérison chez les Innus.
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Kim Chow-Morris
Kinesthetic City: Dance and Movement in Chinese Urban Spaces.
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Susan Hurley-Glowa
Island Songs: A Global Repertoire.
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Recording Reviews

Tanya Merchant
Music of the Golden Sands: Songs and Melodies from Karakalpak Bards.
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Film and Multimedia Reviews

Jeanne Miramon-Bonhoure
Music in Motion. The Automated Transcription for Indian Music (AUTRIM).
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