Cooperation and Conflict: The British Musicians' Union, Musical Labour and Copyright in the UK
PDF

How to Cite

Williamson, J. (2014). Cooperation and Conflict: The British Musicians’ Union, Musical Labour and Copyright in the UK. MUSICultures, 41(1). Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/22357

Abstract

Using examples drawn from the archives of the British Musicians' Union (MU), this article examines the role of the representatives of musical labour in shaping copyright legislation in the UK. Arguing that this has rarely been acknowledged in the narrative surrounding music copyright, it seeks to show how the recording industry and the MU have worked together to protect very different interests. It notes, however, that this has often resulted in conflict within the union, as it battled to preserve a collectivist philosophy in the face of both internal and external pressures.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).