Volume 39, Number 1 (2014)

• Front Matter

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Articles

• Colony Collapse Disorder: Settler Dreams, the Climate Crisis, and Canadian Literary Ecologies

  Pamela Banting

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• “Having Cleared and Embellished the Earth”: Agricultural Science and Poetic Tradition in Oliver Goldsmith’s The Rising Village

  Travis V. Mason

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• Island Ecology and Early Canadian Women Writers

  Wanda Campbell

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• A Poetics of Simpson Pass: Natural History and Place-Making in Rocky Mountains Park

  Sarah Wylie Krotz

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• Herman Voaden’s Romantic Ecology: Settler Identity and the Canadian Sublime

  Nelson Gray

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• A Paler Shade of Green: Suburban Nature in Margaret Atwood’s Cat's Eye

  Rob Ross

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• A Feminist Carnivalesque Ecocriticism: The Grotesque Environments of Barbara Gowdy’s Domestic Fictions

  Cheryl Lousley

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• Bioregion, Biopolitics, and the Creaturely List: The Trouble with FaunaWatch

  Tanis MacDonald

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• Les envers de la ville : de nouveaux paysages en poésie québécoise

  Élise Lepage

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• In Praise of the Garrison Mentality: Why Fear and Retreat May be Useful Responses in an Era of Climate Change

  Sherrie Malisch

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• “A Whole New Take on Indigenous”: Margaret Atwood’s Oryx and Crake as Wild Animal Story

  Lee Frew

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• “Let Me Breathe of It”: A Circumpolar Literary and Ecological Perspective

  Allison K. Athens

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• “This page faintly stained with / green”: Compost Aesthetics in John Steffler’s That Night We Were Ravenous

  Adam Beardsworth

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• “Where the Mysterious and the Undefined Breathes and Lives”: Kathleen Winter’s Annabel as Intersex Text

  Paul Chafe

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• Humain/animal : rupture, contiguïté et perméabilité dans Espèces de Ying Chen

  Nadra Hebouche

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• Misfits in the Breach: Between Ecology and Economy in Helen Humphreys’s Wild Dogs

  Jessica L.W. Carey

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• “You Are Turning into a Hive Mind”: Storytelling, Ecological Thought, and the Problem of Form in Generation A

  Jenny Kerber

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• Notes on Contributors

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• Back Matter

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