Abstract
The recent designation of Grand-Pré as a UNESCO world heritage site has led to a new definition of the area based on its “universal” value. The complex history of the site, however, makes the concept of universality problematic. Grand-Pré has been characterized, over the years, by several identities that have been imposed on the landscape and on the monuments and features of the Grand-Pré National Historic Site. Although many historians have emphasized the role of Grand-Pré in Acadian identity formation, this article looks at how the site’s competing identities were both represented and challenged through the design of the park.Copyright for articles published in this journal is retained by the author(s), with Acadiensis being granted a non-exclusive licence to each and every right in the work throughout the world. After publication of the work, the author(s) shall have the right to self-archive the work and to reprint the work in whole or in part in books authored by or edited by the author(s) without the payment of any fee. In these other formats, however, the author or authors are required to acknowledge the original publication of the work in the pages of the journal. In the case of any requests to reprint the work, Acadiensis will require a standard permission fee -- to be divided equally between the journal and the author. In the event that such requests are received by the author(s), the author(s) shall direct such requests to the journal.