Abstract
The 1928 historic pageant in Kentville, Nova Scotia, offers a fascinating example of the crucial role that a community’s narrative self-conception plays in the construction of its history. As a tale of the Planter’s presence in the Annapolis Valley, the pageant was both celebratory and exclusionary. The community elite created a story about the providential arrival of the Planters beginning in 1760 that served to minimize the Planter impact on both the Acadians and Mi’kmaq while emphasizing the progress of the Planter descendants in the modern town. Directed by a woman, the pageant was also a gendered narrative in which the expanding role of women in public life was highlighted. Résumé Le spectacle historique présenté en 1928 à Kentville, en Nouvelle-Écosse, fournit un exemple fascinant du rôle crucial que la façon dont une communauté se perçoit et se raconte joue dans la construction de son histoire. Le spectacle historique, qui racontait l’origine de la présence des colons de la Nouvelle-Angleterre dans la vallée de l’Annapolis, avait une fonction de célébration et d’exclusion. L’élite communautaire inventa une histoire au sujet de l’arrivée providentielle des colons de la Nouvelle-Angleterre à compter de 1760, histoire qui avait pour effet de minimiser l’impact de ces colons sur les Acadiens et les Mi’kmaq, tout en faisant ressortir les progrès accomplis par leurs descendants dans la ville moderne. Le spectacle, dirigé par une femme, réservait aussi un traitement différencié aux femmes en mettant en lumière le rôle grandissant de celles-ci dans la vie publique.Copyright for articles published in this journal is retained by the author(s), with Acadiensis being granted a non-exclusive licence to each and every right in the work throughout the world. After publication of the work, the author(s) shall have the right to self-archive the work and to reprint the work in whole or in part in books authored by or edited by the author(s) without the payment of any fee. In these other formats, however, the author or authors are required to acknowledge the original publication of the work in the pages of the journal. In the case of any requests to reprint the work, Acadiensis will require a standard permission fee -- to be divided equally between the journal and the author. In the event that such requests are received by the author(s), the author(s) shall direct such requests to the journal.