Volume 43, Number 1 (2018)

• Front Matter

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Articles

• Seed Activism, Global Environmental Justice, and Avant-Garde Aesthetics in Annabel Soutar’s Seeds

  Tania Aguila-Way

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• Pacific Doors: Earle Birney, Allen Curnow, and Pacific Modernisms

  Dougal McNeill

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• “Tu n’as pas à te sentir coupable d’être”: A Multiversal Approach to Guilt in Gaétan Soucy’s L’Acquittement

  Scott M. Powers

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• “A Scrap of the Savage”: E. Pauline Johnson’s Canoeing Journalism

  Jeffrey Swenson

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• The Fall of the House of Buck: The “Haunted” House as Revelatory Space in Daniel David Moses’s Big Buck City

  Suzette Mayr

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• « Si ce n’est pas moi » : écrire à la jonction du soi et de la communauté chez An Antane Kapesh et Natasha Kanapé Fontaine

  Isabella Huberman

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• Littérature amérindienne, éthique et politique : la poétique décoloniale de Joséphine Bacon

  Nicolas Beauclair

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• Writing “Home”: The Healing Power of Métis Storytelling in Cherie Dimaline’s Red Rooms and The Girl Who Grew a Galaxy

  Petra Fachinger

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• The Spatial Politics of Homosociality in Austin Clarke’s In This City

  Cornel Bogle

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• Slippery and Plural: Collaborative Writing in Daphne Marlatt and Betsy Warland’s “Subject to Change” and “Reading and Writing Between the Lines”

  Benjamin Authers, Andrea Beverley

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• The Rewriting of a Masterpiece: Hetty Dorval and the Silencing of Good Reading

  Roger Hyman

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• From Stereotypes to Sovereignty: Indigenous Peoples in the Works of Charles de Lint

  Weronika Łaszkiewicz

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• Too Much Liberty in the Garrison? Closed and Open Spaces in the Canadian Sonnet

  Timo Müller

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• “Memories Seeded in Longings”: An Interview with Bernice Eisenstein

  Ruth Panofsky

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• Notes on Contributors

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• Back Matter

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