Volume 39, Number 2 (2014)
Volume 39, Number 2 (2014)

Articles

Alana Fletcher
Toxic Discourse: Waste Heritage as Ghetto Pastoral
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Debrah Raschke
Margaret Atwood’s MaddAddam Trilogy: Postmodernism, Apocalypse, and Rapture
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Myra Bloom
“The Suitable Language of Love”: Confessional Discourse in By Grand Central Station I Sat Down and Wept
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Anne-Sophie Boudreau
Résonances et dissonances dans Va savoir et Gros mots de Réjean Ducharme
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Christine Wiesenthal
History’s Absent Hand: Lessons in Modes of (Textual) Production from Gaétan Soucy’s The Little Girl Who Was Too Fond of Matches
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Ranbir K. Banwait
Ethics, Intention, and Affect: A Proprioceptive Poetics in Roy Miki’s Mannequin Rising
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Caitlin Charman
“There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February
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Tammy Armstrong
Between the Sky and the Stove: John Thompson’s Animal Encounters and the Extra-Linguistic Experience
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Guy Beauregard
Interwoven Temporalities: Reading Madeleine Thien’s Dogs at the Perimeter
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Justyna Poray-Wybranowska
Hunger, Consumption, and “Contaminated” Aesthetics in Rawi Hage’s Cockroach
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Allan Weiss
Baptisms by Fire: Future Wars in Early Canadian Speculative Fiction
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Jennifer Harris
“The True History of My Brother Tom’s Dog”: A Lost Autobiographical Tale by Catharine Parr Traill
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Andrea Cabajsky
« Le sentiment vif de créer » : entretien avec France Daigle
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Andrea Cabajsky
“The Vivid Feeling of Creating”: An Interview with France Daigle
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