Volume 39, Number 2 (2014)

• Front Matter

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Articles

• Toxic Discourse: Waste Heritage as Ghetto Pastoral

  Alana Fletcher

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• Margaret Atwood’s MaddAddam Trilogy: Postmodernism, Apocalypse, and Rapture

  Debrah Raschke

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• “The Suitable Language of Love”: Confessional Discourse in By Grand Central Station I Sat Down and Wept

  Myra Bloom

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• Résonances et dissonances dans Va savoir et Gros mots de Réjean Ducharme

  Anne-Sophie Boudreau

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• History’s Absent Hand: Lessons in Modes of (Textual) Production from Gaétan Soucy’s The Little Girl Who Was Too Fond of Matches

  Christine Wiesenthal

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• Ethics, Intention, and Affect: A Proprioceptive Poetics in Roy Miki’s Mannequin Rising

  Ranbir K. Banwait

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• “There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February

  Caitlin Charman

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• Between the Sky and the Stove: John Thompson’s Animal Encounters and the Extra-Linguistic Experience

  Tammy Armstrong

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• Interwoven Temporalities: Reading Madeleine Thien’s Dogs at the Perimeter

  Guy Beauregard

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• Hunger, Consumption, and “Contaminated” Aesthetics in Rawi Hage’s Cockroach

  Justyna Poray-Wybranowska

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• Baptisms by Fire: Future Wars in Early Canadian Speculative Fiction

  Allan Weiss

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• “The True History of My Brother Tom’s Dog”: A Lost Autobiographical Tale by Catharine Parr Traill

  Jennifer Harris

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• « Le sentiment vif de créer » : entretien avec France Daigle

  Andrea Cabajsky

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• “The Vivid Feeling of Creating”: An Interview with France Daigle

  Andrea Cabajsky

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• Notes on Contributors

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• Back Matter

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