Vol. 44 No. 2 (2017)

Publié mai 9, 2018

Chanteurs et chansons engagés.

Special Issue: Singers and Songs of Social Protest / Chanteurs et chansons engagés.

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From the Editor / Mot de la rédactrice en chef

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Notes on Contributing Authors / Notes sur les collaborateurs

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Articles

Martin J. Power, Aileen Dillane

Songs and Singers of Social Protest

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Illa Carrillo Rodríguez

Back from Exile: Nueva Canción and Canción Protesta as Cultural Heritage in Early 1980s Argentina

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Martin J. Power, Aileen Dillane, Eoin Devereux

“You’ll Never Kill Our Will To Be Free”: Damien Dempsey’s “Colony” as a Critique of Historical and Contemporary Colonialism

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Geoffroy Colson

From Pacific Resistance to pacific resistance: Expressions of Māʻohi-ness in Contemporary Tahitian Popular Music

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Jada Watson

“If They Blow a Hole in The Backbone”: Sarah Harmer’s Campaign to Protect The Niagara Escarpment

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Julie Rickwood

Lament, Poetic Prayer, Petition, and Protest: Community Choirs and Environmental Activism in Australia

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Book Reviews / Comptes rendus de livres

Shawn M. Higgins

The Revolution Will Not Be Televised: Protest Music After Fukushima. 2015. Noriko Manabe. New York: Oxford University Press. 464 pp.

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Kate Galloway

Sustainable Futures for Music Cultures: An Ecological Perspective. 2016. Ed. Huib Schippers and Catherine Grant. Oxford: Oxford University Press. 392 pp. Current Directions in Ecomusicology: Music, Culture, Nature. 2016. Ed. Aaron S. Allen and Kevin Dawe. New York: Routledge.

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Monique Desroches

Tales, Tunes and Tassa Drums: Retention and Innovation in Indo-Caribbean Music. 2015. Peter Manuel. Champaign, IL: University of Illinois Press. 268 pp.

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Anna Morcom

Singing Across Divides: Music and Intimate Politics in Nepal. 2017. Anna Marie Stirr. New York: Oxford University Press. 304pp, 25 figures.

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Bart Vanspauwen

Cape Verde, Let’s Go: Creole Rappers and Citizenship in Portugal. 2015. Derek Pardue. Urbana, Chicago, et Springfield : University of Illinois Press. 208 pp, 15 photographies en noir et blanc, discographie

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Joshua Green

Queerness in Heavy Metal Music: Metal Bent. 2015. Amber R. Clifford-Napoleone. New York: Routledge. 166pp, 7 figures.

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Denis-Constant Martin

Kwaito’s Promise, Music, and the Aesthetics of Freedom in South Africa. 2016. Gavin Steingo. Chicago: University of Chicago Press. 320 pp., figures, photos

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Anthony Grégoire

Chant pensé, chant vécu, temps chanté. Formes, usages et représentations des pratiques vocales. 2016. Charlotte Poulet et Nicolas Bénard, dir. Paris, Éditions Delatour France, coll. Pensée Musicale. 426 p.

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