Lament, Poetic Prayer, Petition, and Protest: Community Choirs and Environmental Activism in Australia
PDF

How to Cite

Rickwood, J. (2018). Lament, Poetic Prayer, Petition, and Protest: Community Choirs and Environmental Activism in Australia. MUSICultures, 44(2). Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/26205

Abstract

Many community choirs sing simply for the love of music or for fun. Others sing as an expression of identity or are driven by philosophical and political constructs. Some choirs follow the tradition of utilizing singing and song as protest. Within this latter cohort, choirs have emerged that are committed to sustaining environmental activism. This article will broadly consider the context for the alliance of community music and political activism and its expression in Australia. A comparative analysis of two community choirs that engage in environmental activism will then be provided, followed by some concluding remarks on that confluence.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).