Vol. 40 No. 1 (2013): Atlantic Roots and Routes

Vol. 40 No. 1 (2013)

Published October 25, 2013
Atlantic Roots and Routes
Front Matter
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From the Editor / Mot de la rédactrice en chef
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Notes on Contributing Authors / Notes sur les collaborateurs
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Atlantic Roots and Routes: Introduction
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Articles

Aileen Dillane
Composing Identity, Fiddling with (Post)Ethnicity: Liz Carroll’s “Lake Effect”
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Mats Melin
Step Dancing in Cape Breton and Scotland: Contrasting Contexts and Creative Processes
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Frances Wilkins
The Fiddlers of James Bay: Transatlantic Flows and Musical Indigenization among the James Bay Cree
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Andy Hillhouse
Reaching Out, Turning Home: The Musical Projects of Filippo Gambetta, Genoan Organetto Player
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Aleysia K Whitmore
“Cuban Music is African Music”: Productive Frictions in the World Music Industry
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Muriel Smith
The Polish Folk Ensembles of Winnipeg: Shaped by Atlantic Cultural Currents
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Book Reviews

Laura Risk
Routes & Roots: Fiddle and Dance Studies from around the North Atlantic 4
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Richard MacKinnon
Crossing Over: Fiddle and Dance Studies from around the North Atlantic 3
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Tom Gordon
Songs of Power and Prayer in the Columbia Plateau: The Jesuit, the Medicine Man, and the Indian Hymn Singer.
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Maija Lutz
Aboriginal Music in Contemporary Canada: Echoes and Exchanges
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Bruno Deschenes
Analytical and Cross-Cultural Studies in World Music
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Catherine Harrison-Boisvert
Des vies en musique. Parcours d’artistes, mobilités, transformations
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Laura Jordan Gonzalez
A tres bandas. Mestizaje, sincretismo e hibridación en el espacio sonoro iberoamericano.
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Julian Whittam
Groove Music: The Art and Culture of the Hip-Hop DJ
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Film and Multimedia Reviews

Marie-Christine Parent
Homme, Nature et Patrimonialisation : traditions et pratiques, discours et représentations, connaissances et savoirs dans les cultures plurielles de la Guyane, de l’Amazonie et de la Caraïbe
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