How to Cite
Whitmore, A. K. (2013). “Cuban Music is African Music”: Productive Frictions in the World Music Industry. MUSICultures, 40(1). Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21132
Abstract
This paper examines the ways in which Orchestra Baobab and AfroCubism, two bands that combine West African and Cuban musics, negotiate musical mixing across the black Atlantic. Looking at the frictions between different musical sounds and meanings, I explore the ways in which musicians re-imagine and reconstruct the black Atlantic and their own identities as they creatively combine Cuban and African musics. I argue that musicians are strategic in their combining of music and social meanings, idealistic in their belief in connecting people and musics across the Atlantic and pragmatic in their discussions of the limits of musical mixing and collaboration.- The author retains copyright over the work.
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