Abstract
Beginning with a curiosity about what “multiculturalism” might mean to me as a mono-musical performer, this paper describes a collaborative project undertaken with the intent of creating a musical hybrid. Casting myself in the roles of performer and facilitator, I recruited a classically trained composer and an Irish traditional musician to work toward the production of a performance that united elements of both musical worlds. Combining commentary from collaborators and commentators with personal observations, I consider the asymmetries and assumptions that marked our created “contact zone” and reflect upon what the hybridizing project reveals about the subjectivity of experience.- The author retains copyright over the work.
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