Volume 39, Number 2 (2012)

Published December 1, 2012
Volume 39, Number 2 (2012)
Front Matter
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From the Editor / Mot de la rédactrice en chef
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Notes on Contributing Authors / Notes sure les collaborateurs
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Articles

Eric Hung
Sounds of Asian American Trauma and Cultural Trauma: Jazz Reflections on the Japanese Internment
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Kate Galloway
Roughing It in the Woods: Community and Emplaced Experience in the Cultural Practice of Patria
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Rebecca Draisey-Collishaw
“Fusions and Confusions”: Reflections on Intercultural Collaboration, Musical Hybridity, and the Intersubjective Nature of Reality
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Mike Anklewicz
Extending the Tradition: KlezKanada, Klezmer Tradition and Hybridity
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Amanda L. Scherbenske
From Folksmentshn to Creative Individuals: Klezmer Transmission in the Twenty-First Century
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Farrokh Vahabzadeh
Étude comparative des gestes instrumentaux : Le jeu du dotâr en Iran et en Asie centrale
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Ian Hayes
“Our fiddles sound big. That’s the way I think it should be”: Cape Breton Fiddling and Amplification Practices
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Book Reviews

Anna Hoefnagels
Applied Ethnomusicology: Historical and Contemporary Approaches. Klisala Harrison, Elizabeth Mackinlay, Svanibor Pettan (eds.). 2010.
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Chris McDonald
The Guitar in America: Victorian Era to Jazz Age. Jeffrey J. Noonan. 2008; The New Guitarscape in Critical Theory, Cultural Practice and Music Performance. Kevin Dawe. 2010.
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Hugo Ferran
Le chant liturgique juif ethiopien. Analyse musicale d'une tradition orale. Oliver Tourny. 2009.
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Kristin Harris Walsh
Close to the Floor: Irish Dance from the Boreen to Broadway. Mick Moloney, J’aime Morrison, Colin Quiqley (eds.). 2009.
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Film and Multimedia Reviews

Gerald Cote
La danse des Wodaabe. Productrice, realisatrice, preneuse de son: Sandrine Loncke; chef operatrice: Charlotte Krebs. 2010.
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Eric Vandal
Chants de la terre aux trois sangs. Musiques rituelles des Toraja de l'ile de Sulawesi, Indoneise. Dana Rappoport. 2009.
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