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Abstract
This article examines how gay choruses use music to compel emotional responses and reflection in their audiences on the issue of anti-LGBTQ+ rhetoric and violence. Considering the utility of the music — what the intended, and actual, outcomes of its performance are — this article also looks at how chorus members perceive their role as instigators of social change. I argue that affinity is the means by which choruses achieve their activist and outreach aims through three specific types of connections: between choral members, between the chorus and its audience, and between choral members and specific figures in LGBTQ+ history.
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