Traditions, Stereotypes, and Tactics: A History of Musical Buskers in Toronto
PDF

How to Cite

Smith, M. . (1996). Traditions, Stereotypes, and Tactics: A History of Musical Buskers in Toronto. MUSICultures, 24. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21667

Abstract

Murray Smith ajoute considerablement aux travaux de recherches qu 'if avail entrepris initialement pour son memo ire de maitrise a l'Universite York. S'appuyant sur un grand nombre de sources, notamment des actes notaries, de tres anciennes photographies d 'archives et des rapports journalistiques, de me me que sur ses longs entretiens avec des musiciens des rues de Toronto et les observations qui en ont decoule, M Smith retrace l'histoire des musiciens des rues: depuis leurs precurseursAaux premiers temps de Ia republique romaine et au cours du Moyen-Age europeen, en passant par les immigrants italiens du 19" siecle, pour finir avec les musiciens contemporains, et les controverses municipales dont ils ont fait l 'objet durant ces dix dernieres annees. Liant son interpretation aux cadres theoriques proposes par Geertz, Hymes et Hobsbawm, M Smith evalue le role joue par Ia vision qu 'ont les musiciens des rues contemporains de leur pro pre histoire sur Ia perception qu 'ils ont d'eux-memes et sur leur survie.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).