Abstract
Alors que la paranda garifuna semblait inéluctablement vouée à une disparition prochaine en Amérique centrale (du fait de la raréfaction de ses interprètes conjuguée à son impopularité auprès des jeunes), son entrée récente dans les studios d’enregistrement locaux représente un processus inédit de patrimonialisation musicale – aujourd’hui relayé par le puissant engouement qu’elle suscite chez l’ensemble des musiciens et producteurs locaux. Au sein de la création musicale locale, de nouvelles compositions – apparues dans le cadre de productions soigneusement adaptées aux attentes des auditeurs internationaux de world music – font appel à des influences inédites, aujourd’hui largement partagées par la majorité des acteurs de la scène musicale contemporaine.- The author retains copyright over the work.
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