Brian Batchelor “This Beer Festival Has a Theatre Problem!”: The Evolution and Rebranding of the Edmonton International Fringe Theatre Festival HTML (English) PDF (English)
Natalie Doonan Techniques of Making Public: The Sensorium Through Eating and Walking HTML (English) PDF (English)
Naila Keleta-Mae An Autoethnographic Reading of Djanet Sears’s The Adventures of a Black Girl in Search of God HTML (English) PDF (English)
Helene Vosters Diamanda Galás and Amanda Todd: Performing Trauma’s Sticky Connections HTML (English) PDF (English)
Núria Casado Gual Ambivalent Pathways of Progress and Decline: The Representation of Aging and Old Age in Joanna McClelland Glass’s Drama HTML (English) PDF (English)
Kelsy Vivash Thea Fitz-James: Gendered Boundaries, Durational Performance, and the Art of Holding It In HTML (English) PDF (English)
T. Nikki Cesare Schotzko “I Haven’t Got Time for the Pain”: The State and Stakes of Performance Art 2.0 HTML (English) PDF (English)
Adriana Disman Towards Anti-Disciplinarity: the (messy) hermeneutics of self-violent performance art HTML (English) PDF (English)
Steven Bush George Luscombe Directing Chicago ’70 at Toronto Workshop Productions: an insider’s subjective account HTML (English) PDF (English)
Spy Dénomme-Welch Jean O’Hara, ed. Two-Spirit Acts: Queer Indigenous Performances. HTML (English) PDF (English)
Peter Kuling JENNIFER DROUIN. Shakespeare in Québec: Nation, Gender, and Adaptation HTML (English) PDF (English)
