Regiments of the Theatre: Reenactment in Theatre and Military Culture
Abstract
La reconstitution militaire, discipline en émergence, révèle un champ d'exercice dans lequel le monde du théâtre et la culture militaire convergent. C'est à la fois la militarisation du théâtre et la théâtralisation de l'armée, un théâtre sans salle et une armée sans pouvoir. La reconstitution militaire souligne une grande affinité entre les mécanismes de démarcation des frontières à l'œuvre dans le monde de l'armée et du théâtre. Ceci suggère que la reconstitution n'est pas qu'une convergence moderne de l'armée et du théâtre, et que ces deux mondes ont des affinités historiques plus profondes, puisant leur origine dans l'organisation sociale et l'affichage masculiniste (et souvent exclusivement masculine). En examinant la pratique contemporaine de la reconstitution, nous constatons que le théâtre et l'armée relèvent d'un seul et même monde et qu'il sont tous deux chargés de constituer la nation et de l'ériger en monument. Le théâtre est une armée qui ne tue pas, et l'armée est un théâtre où l'on tue.Published
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