The Gothic Genre and Indigenous Fiction: A Reading of Eden Robinson’s Monkey Beach and Patricia Grace’s Baby No-Eyes

Carolina Buffoli

Articles

Vol. 48 No. 1 (2023): Special Issue: The Ruptured Commons

The Gothic Genre and Indigenous Fiction: A Reading of Eden Robinson’s Monkey Beach and Patricia Grace’s Baby No-Eyes

Carolina Buffoli^▸^▾

Accès restreint aux abonnés-es PDF (English)

Soumise: mai 15, 2024
Publié-e: 2024-05-21

Références

Althans, Kathrine. “Aboriginal Gothic.” Wester et al., pp. 276-88.
Andrews, Jennifer. “Native Canadian Gothic Refigured: Reading Eden Robinson’s Monkey Beach.” Essays on Canadian Writing, no. 73, 2001, pp. 1-24.
Brantlinger, Patrick. Rule of Darkness: British Literature and Imperialism, 1830-1914. Cornell UP, 1988, p. 230.
Brave Heart, Maria Yellow Horse, and Lemyra DeBruyn. “The American Indian Holocaust: Healing Historical Unresolved Grief.” American Indian and Alaska Native Mental Health Research, vol. 8, no. 2, 1998, pp. 56-78.
Burnham, Michelle. “Is There an Indigenous Gothic?” A Companion to American Gothic, edited by Charles Crow, John Wiley and Sons, 2013, pp. 225-37.
Castricano, Jodey. “Learning to Talk with Ghosts: Canadian Gothic and the Poetics of Haunting in Eden Robinson’s Monkey Beach.” University of Toronto Quarterly, vol. 75, no. 2, 2006, pp. 801-13.
De Cesari, Chiara, and Ann Rigney. Transnational Memory: Circulation, Articulation, Scales. De Gruyter, 2014, pp. 1-16.
Gaertner, David. “‘Something in Between’: Monkey Beach and the Haisla Return of the Repressed.” Canadian Literature, no. 225, 2015, pp. 47-63.
Grace, Patricia. Baby No-Eyes. Penguin, 1998.
—. “An Interview with Patricia Grace.” With Paloma Fresno Calleja. Atlantis (Salamanca, Spain: Online), vol. 25, no. 1, 2003, pp. 109-20.
Hogle, Jerrold E., and Robert Miles, editors. The Gothic and Theory: An Edinburgh Companion. Edinburgh UP, 2019.
Ilott, Sarah. “Postcolonial Gothic.” Wester et al., pp. 19-32.
Keown, Michelle. Postcolonial Pacific Writing: Representations of the Body. Routledge, 2005, pp. 149-69.
Pihama, Leonie, et al. “Positioning Historical Trauma Theory within Aotearoa New Zealand.” AlterNative: An International Journal of Indigenous Peoples, vol. 10, no. 3, 2014, pp. 248-62.
Robinson, Eden. Monkey Beach. Vintage Canada, 2000.
Rudd, Alison. Postcolonial Gothic Fictions from the Caribbean, Canada, Australia and New Zealand. U of Wales P, 2010, p. 161-65.
—. “Postcolonial Gothic in and as Theory.” Hogle and Miles, pp. 71-88.
Schoch/Davidson, Angela Elisa. “Indigenous Alterations.” The Palgrave Handbook of Contemporary Gothic, edited by Clive Bloom, Springer International, 2020, pp. 143-62.
Schwab, Gabriele. Haunting Legacies: Violent Histories and Transgenerational Trauma. Columbia UP, 2010, pp. 138-42.
Smith, Andrew, and William Hughes. “Introduction: The Enlightenment Gothic and Postcolonialism.” Empire and the Gothic: The Politics of Genre, edited by Andrew Smith and William Hughes, Palgrave Macmillan, 2003, pp. 1-11.
Sugars, Cynthia. Canadian Gothic: Literature, History, and the Spectre of Self-Invention. U of Wales P, 2014, pp. 213-46.
Thomas, Joan. “Glorious Northern Gothic. Rev. of Monkey Beach, by Eden Robinson.” Globe and Mail, 22 Jan. 2000, p. D9.
Timms, Emily Kate. “‘Our Stories Could Kill You’: Storytelling, Healthcare, and the Legacy of the ‘Talking Cure’ in Patricia Grace’s Baby No-Eyes (1998) and Georgia Kaʻapuni McMillen’s School for Hawaiian Girls (2005).” Pacific Waves: Reverberations from Oceania, edited by Emma Scanlan and Janet Wilson, special issue of Journal of Postcolonial Writing, vol. 54, no. 5, 2018, pp. 627-40.
Turcotte, Gerry. “Postcolonial Gothic: Australia, Canada, New Zealand, South Pacific.” The Oxford History of the Novel in English: Volume 12: The Novel in Australia, Canada, New Zealand, and the South Pacific since 1950, edited by Coral Ann Howells, Paul Sharrad,
and Gerry Turcotte, Oxford UP, 2018, pp. 205-20.
Vandebosch, Dagmar, and Theo d’Haen. Literary Transnationalism(s). Brill, 2018, p. 1.
Vertovec, Steven. Transnationalism. Routledge, 2009, p. 2.
Visser, Irene. “Decolonizing Trauma Theory: Retrospect and Prospects.” Humanities, vol. 4, no. 2, 2015, pp. 250-65.
—. “The Trauma of Goodness in Patricia Grace’s Fiction.” The Contemporary Pacific, vol. 24, no. 2, 2012, pp. 297-321.
—. “Trauma Theory and Postcolonial Literary Studies.” Journal of Postcolonial Writing, vol. 47, no. 3, 2011, pp. 270-82.
Wester, Maisha. “The Gothic in and as Race Theory.” Hogle and Miles, pp. 53-70.
Wester, Maisha, et al., editors. Twenty-First-Century Gothic: An Edinburgh Companion. Edinburgh UP, 2022.
Wirihana, Rebecca, and Cherryl Smith. “Historical Trauma, Healing and Well-Being in Māori Communities.” MAI Journal, vol. 3, no. 3, 2014, 197-210.

Comment citer

Buffoli, C. (2024). The Gothic Genre and Indigenous Fiction: A Reading of Eden Robinson’s Monkey Beach and Patricia Grace’s Baby No-Eyes. Études En littérature Canadienne, 48(1), 152–168. Consulté à l’adresse https://journals.lib.unb.ca/index.php/SCL/article/view/34171

Mention de droit d'auteur

[1] Althans, Kathrine. “Aboriginal Gothic.” Wester et al., pp. 276-88.

[2] Andrews, Jennifer. “Native Canadian Gothic Refigured: Reading Eden Robinson’s Monkey Beach.” Essays on Canadian Writing, no. 73, 2001, pp. 1-24.

[3] Brantlinger, Patrick. Rule of Darkness: British Literature and Imperialism, 1830-1914. Cornell UP, 1988, p. 230.

[4] Brave Heart, Maria Yellow Horse, and Lemyra DeBruyn. “The American Indian Holocaust: Healing Historical Unresolved Grief.” American Indian and Alaska Native Mental Health Research, vol. 8, no. 2, 1998, pp. 56-78.

[5] Burnham, Michelle. “Is There an Indigenous Gothic?” A Companion to American Gothic, edited by Charles Crow, John Wiley and Sons, 2013, pp. 225-37.

[6] Castricano, Jodey. “Learning to Talk with Ghosts: Canadian Gothic and the Poetics of Haunting in Eden Robinson’s Monkey Beach.” University of Toronto Quarterly, vol. 75, no. 2, 2006, pp. 801-13.

[7] De Cesari, Chiara, and Ann Rigney. Transnational Memory: Circulation, Articulation, Scales. De Gruyter, 2014, pp. 1-16.

[8] Gaertner, David. “‘Something in Between’: Monkey Beach and the Haisla Return of the Repressed.” Canadian Literature, no. 225, 2015, pp. 47-63.

[9] Grace, Patricia. Baby No-Eyes. Penguin, 1998.

[10] —. “An Interview with Patricia Grace.” With Paloma Fresno Calleja. Atlantis (Salamanca, Spain: Online), vol. 25, no. 1, 2003, pp. 109-20.

[11] Hogle, Jerrold E., and Robert Miles, editors. The Gothic and Theory: An Edinburgh Companion. Edinburgh UP, 2019.

[12] Ilott, Sarah. “Postcolonial Gothic.” Wester et al., pp. 19-32.

[13] Keown, Michelle. Postcolonial Pacific Writing: Representations of the Body. Routledge, 2005, pp. 149-69.

[14] Pihama, Leonie, et al. “Positioning Historical Trauma Theory within Aotearoa New Zealand.” AlterNative: An International Journal of Indigenous Peoples, vol. 10, no. 3, 2014, pp. 248-62.

[15] Robinson, Eden. Monkey Beach. Vintage Canada, 2000.

[16] Rudd, Alison. Postcolonial Gothic Fictions from the Caribbean, Canada, Australia and New Zealand. U of Wales P, 2010, p. 161-65.

[17] —. “Postcolonial Gothic in and as Theory.” Hogle and Miles, pp. 71-88.

[18] Schoch/Davidson, Angela Elisa. “Indigenous Alterations.” The Palgrave Handbook of Contemporary Gothic, edited by Clive Bloom, Springer International, 2020, pp. 143-62.

[19] Schwab, Gabriele. Haunting Legacies: Violent Histories and Transgenerational Trauma. Columbia UP, 2010, pp. 138-42.

[20] Smith, Andrew, and William Hughes. “Introduction: The Enlightenment Gothic and Postcolonialism.” Empire and the Gothic: The Politics of Genre, edited by Andrew Smith and William Hughes, Palgrave Macmillan, 2003, pp. 1-11.

[21] Sugars, Cynthia. Canadian Gothic: Literature, History, and the Spectre of Self-Invention. U of Wales P, 2014, pp. 213-46.

[22] Thomas, Joan. “Glorious Northern Gothic. Rev. of Monkey Beach, by Eden Robinson.” Globe and Mail, 22 Jan. 2000, p. D9.

[23] Timms, Emily Kate. “‘Our Stories Could Kill You’: Storytelling, Healthcare, and the Legacy of the ‘Talking Cure’ in Patricia Grace’s Baby No-Eyes (1998) and Georgia Kaʻapuni McMillen’s School for Hawaiian Girls (2005).” Pacific Waves: Reverberations from Oceania, edited by Emma Scanlan and Janet Wilson, special issue of Journal of Postcolonial Writing, vol. 54, no. 5, 2018, pp. 627-40.

[24] Turcotte, Gerry. “Postcolonial Gothic: Australia, Canada, New Zealand, South Pacific.” The Oxford History of the Novel in English: Volume 12: The Novel in Australia, Canada, New Zealand, and the South Pacific since 1950, edited by Coral Ann Howells, Paul Sharrad,

[25] and Gerry Turcotte, Oxford UP, 2018, pp. 205-20.

[26] Vandebosch, Dagmar, and Theo d’Haen. Literary Transnationalism(s). Brill, 2018, p. 1.

[27] Vertovec, Steven. Transnationalism. Routledge, 2009, p. 2.

[28] Visser, Irene. “Decolonizing Trauma Theory: Retrospect and Prospects.” Humanities, vol. 4, no. 2, 2015, pp. 250-65.

[29] —. “The Trauma of Goodness in Patricia Grace’s Fiction.” The Contemporary Pacific, vol. 24, no. 2, 2012, pp. 297-321.

[30] —. “Trauma Theory and Postcolonial Literary Studies.” Journal of Postcolonial Writing, vol. 47, no. 3, 2011, pp. 270-82.

[31] Wester, Maisha. “The Gothic in and as Race Theory.” Hogle and Miles, pp. 53-70.

[32] Wester, Maisha, et al., editors. Twenty-First-Century Gothic: An Edinburgh Companion. Edinburgh UP, 2022.

[33] Wirihana, Rebecca, and Cherryl Smith. “Historical Trauma, Healing and Well-Being in Māori Communities.” MAI Journal, vol. 3, no. 3, 2014, 197-210.