From Vilified to Victorious: Reconceiving La Corriveau in Anne Hébert’s La Cage
Abstract
The eighteenth-century murder case of Marie-Josephte Corriveau inspired a significant body of nineteenth-century fictional adaptations, notable among them Philippe Aubert de Gaspé’s Les Anciens Canadiens, James Macpherson Le Moine’s “Marie-Josephte Corriveau, A Canadian Lafarge,” Louis Fréchette’s “Une Rélique,” and William Kirby’s The Golden Dog. Although based on a scarcity of reliable archival information, these works transformed a rather banal incident of domestic violence into a cultural myth of great proportions. In her 1989 play La Cage, Anne Hébert denounces and dispels resilient Québécois conceptions of La Corriveau as a murderer, a witch, or a ghost and instead casts the storied figure as a new mythical Quebec mother. Hébert relies on a combination of history, myth, and fiction to subvert basic tenets of the nineteenth-century legend, such as the fundamental symbol of La Corriveau’s iron cage; in doing so, she is able to rewrite and right some of history’s wrongs.
Published
How to Cite
Issue
Section
License
Permissions requests from authors to reprint their work in books or collections authored or edited by the author are granted gratis, with a requirement that acknowledgement of first publication in Studies in Canadian Literature is included in the publication. Permission requests from external sources are charged a fee at the discretion of Studies in Canadian Literature; 50% of this fee is given to the author.