Résumé
L’histoire documentée des concours et tournois culturels gaéliques au Cap Breton est délibérément oubliée. À partir de la théorie de Paul Connerton sur l’oubli social, l’auteure suggère que cela s’est produit pour des raisons idéologiques, entre autres en raison d’une conception de la culture gaélique vue comme participative et inclusive, caractéristiques que de nombreux Capbretonnais estiment inconciliables avec les concours. En examinant les données historiques qui montrent que les concours et tournois culturels existaient au Cap-Breton à différentes époques et en divers lieux, et la façon dont ils se reliaient à un contexte plus large de compétitions internationales des communautés culturelles « celtiques », l’auteure conclut que les déclarations actuelles au sujet de l’absence et de l’insignifiance des concours ne concordent pas avec ce qu’attestent les documents historiques.
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