Abstract
The Russian Republic of Tuva is home to the solo multiphonic singing styles encompassed under the umbrella terms khorekteer and khoomei. This paper explores the conceptual complexities of authenticity pertaining to Tuvan throat singing. The author reveals ethnicity and race as primary authenticity markers as expressed by indigenous performers of Tuvan music. This paper also examines the events surrounding the 2002 Dembildei International Throat Singing Competition held in Tuva’s capital city Kyzyl. Concerns of authenticity as expressed by the panel of judges for Dembildei 2002 are presented alongside some other political, social, and economic forces that resonate around this event.- The author retains copyright over the work.
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