"She's Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis
PDF

How to Cite

Narváez, P. (1997). "She’s Gone, Boys": Vernacular Song Responses to the Atlantic Fisheries Crisis. MUSICultures, 25. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21655

Abstract

In July 1992 a moratorium on the commercial fishing of cod, the staple of the North Atlantic fisheries, urns enacted by the Government of Canada. Because of the continued decline in fish stocks, the moratorium has been maintained, and fishing for domestic personal consumption has also been prohibited. Various compensation programs have not atoned for the demise of what is regarded as a “way of life." Responding to the crisis, vernacular verse, mostly in song form from Newfoundland, reflects the inadequacies of such programs. In addition, these creations assign causes and solutions while revealing a common usage of musical style, language and signifiers which combine to affirm an allegiance to traditional collective values o f family, community and province through nostalgic experience. Some of the versifiers have turned to the craft for the first time during this disaster because they view songs and recitations as appropriate vehicles for social commentary.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).