How to Cite
Abstract
Etniko Bandido is an autonomous community resource center and infoshop in Manila where locals and visitors gather to discuss ideas and issues and organize cultural events. During the COVID-19 lockdowns, Etniko’s network of local musicians, artists, and activists repurposed the infoshop’s physical space and its political mission of mutual aid to address the needs of the community by, for instance, distributing food and medical supplies. In this context, the local response to the pandemic can be more widely contextualized in the Philippines’ “culture of disaster” and indigenous articulations of mutual aid, which provided an alternative to the dominant consumer society.
- The author retains copyright over the work.
- The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
- The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
- The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
- Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996
A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.
A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.
The published version is the PDF file of a contribution as it appears in MUSICultures.
Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.
For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).