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Abstract
“The Moment” occurred during an intercultural and interdisciplinary artistic workshop, inspiring a long-term artistic collaboration and many conversations about decolonization in the performing arts. What can we learn about decolonization from the collaboration of Indigenous and non-Indigenous artists and scholars? Our collective analysis and reflection will demonstrate two things: the benefits of and challenges to a careful consideration of respectful collaboration among musicians from different traditions in a post-Truth and Reconciliation Commission context, and new ways of engaging in music research which are collaborative and possibly decolonial.
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