Abstract
This article proposes to lay the theoretical and epistemological foundations allowing an in-depth examination of the experiences of a group of tourists participating in a Cuban musical stage production in Santiago de Cuba. Arguing that this is still a field of research little explored in ethnomusicology, the author begins with a review of existing scholarship on the relationships between tourism and music. She then considers the concept of experience and its cross-application to these two domains. Finally, she is interested in a field methodology which permits a holistic experience of these domains, namely embodied research.- The author retains copyright over the work.
- The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
- The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
- The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
- Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996
A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.
A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.
The published version is the PDF file of a contribution as it appears in MUSICultures.
Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.
For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).