W. Roy MacKenzie as a Collector of Folksong
, Articles

W. Roy MacKenzie as a Collector of Folksong

Articles
Published 1977-06-01
Martin Lovelace
Memorial University of Newfoundland
PDF

How to Cite

Lovelace, M. (1977). W. Roy MacKenzie as a Collector of Folksong. MUSICultures, 5. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21858
ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Abstract

Cette communication rendra hommage aux résultats obtenus par W. Roy Mackenzie dans ta cueillette et l'étude de ballades et de chansons en Nouvelle- Ecosse. Elle examinera les hypothèses critiques concernant la ballade telles qu 'il les avait étudiées à l’école de Child et de Kittredge, et décrira ses modifications apportées à ces hypothèses a la suite de ses experiencespersonnelles d ’enquêteur. L'intérêt qu'il portait a l'esthétique du chanteur, au contexte de l’exécution des chansons, au phénomène d ’acculturation dans son effet sur le répertoire, permettent à Mackenzie de paraître bien en avance sur les connaissances de son époque.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).