Turkish Musical Culture in Toronto
, Articles

Turkish Musical Culture in Toronto

Articles
Published 1982-06-01
Leslie Hall
University of Toronto
PDF

How to Cite

Hall, L. (1982). Turkish Musical Culture in Toronto. MUSICultures, 10. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21815
ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Abstract

Commentant la culture musicale turque à Toronto, Leslie Hall souligne que les Turques forment un groupe relativement restreint dans la mosaïque multi-culturelle du Canada et quune division entre cols-blancs professionnels et cols-bleus ouvriers fragmente encore plus cette communauté. Cependant, son étude a permis de mettre en lumière trois types dévénements comportant des manifestations musicales: les réunions sociales informelles, les rencontres sociales organisées et les événements culturels de grande envergure dont la portée dépasse les limites de la petite communauté.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).