'Down by this Laney Side': Clarence Blois, Farmer and Singer
, Articles

'Down by this Laney Side': Clarence Blois, Farmer and Singer

Articles
Published 1985-06-01
Martin Lovelace
Memorial University
PDF

How to Cite

Lovelace, M. (1985). ’Down by this Laney Side’: Clarence Blois, Farmer and Singer. MUSICultures, 13. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21777
ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Abstract

Larticle de Martin J. Lovelace porte sur un fermier-chanteur de la Nouvelle-Ecosse, Clarence Blois. L'auteur discute de la relation qui existe entre la personnalité du chanteur et son répertoire. Il cite quelques-uns des commentaires que le chanteur fa it sur les chansons quil chante démontrant leur influence civilisante sur les forestiers dans les chantiers, leur véracité et leur habileté à dépeindre les caractères.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).