Labour's Cultural Impact on the Community A Cape Breton Perspective
PDF

How to Cite

O’Donnell, J. C. (1986). Labour’s Cultural Impact on the Community A Cape Breton Perspective. MUSICultures, 14. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21771

Abstract

John C. ODonnell est chef d'orchestre du choeur des mineurs de Cap Breton, “Men of the Deeps." Dans son article, il décrit comment et combien ce choeur a réussi à éveiller lintérêt de la communauté en ce qui concerne la chanson folklorique, et à en augmenter ses connaissances. Ensuite, il établit le rapport entre certaines des chansons de Cap Breton et leurs antécédents historiques brittaniques. Finalement, il démontre comment ces chansons, composées par des chansonniers locaux, ont contribué à Venrichissement de la culture régionale de Cap Breton.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).