Guidelines for Harmonizing English-Language Folk Songs: General Considerations
PDF

How to Cite

Rahn, J. (1986). Guidelines for Harmonizing English-Language Folk Songs: General Considerations. MUSICultures, 14. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21770

Abstract

Jay Rahn est spécialiste en létude de la chanson folklorique canadienne. Son article souligne les elements qui gouvernent lharmonisation des chansons folkloriques anglaises. Il discute les capacités at létendue vocales de ceux à qui sont destinés les arrangements musicaux, compare les mérites respectives des harmonies simples et complexes, et examine la structure harmonique de ces chansons. Ensuite, en se servant des examples canadiens, il développe une analyse detaillée qui sert à démontrer comment l'harmonisation des chansons les plus communes peuvent s accomplir par lemploi dun seul accord.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).