The Musical Culture of Iraqi Jewry: Three Countries and Two Continents
, Articles

The Musical Culture of Iraqi Jewry: Three Countries and Two Continents

Articles
Published 1992-06-01
  • Galia Ben-Mordechai
Galia Ben-Mordechai
PDF

How to Cite

Ben-Mordechai, G. (1992). The Musical Culture of Iraqi Jewry: Three Countries and Two Continents. MUSICultures, 20. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21707
ACM ACS APA ABNT Chicago Harvard IEEE MLA Turabian Vancouver

Download Citation

Endnote/Zotero/Mendeley (RIS) BibTeX

Abstract

Galia Ben-Mordechai considère la culture musicale des Juifs irakiens et ses transformations depuis plus de 2500 ans, quand ce groupe s ’est déplacé à travers trois p a y s et deux continents. Elle décrit comment les Juifs ont quitté Israël pour Babylone dans l'Antiquité et comment ils sont revenus en Israël à l’époque moderne avant de partir pour Canada. L’auteur détaille quatre genres musicaux utilisées en Irak et rend compte des façons dont ces sortes de musique ont survécu à Toronto.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).