Abstract
Neil Rosenberg retrace la carriere du violoniste traditionnel canadien Don Messer et montre comment son repertoire a fini par constituer une "norme" pour les violonistes de toutle pays. En partant de la notion propre a Philip V. Bohlman d'une "norme mediaisee," Rosenberg met l'accent sur le role de Messer en tant qu'individu dans la definition d'un veritable corpus de melodies et explique comment son influence afini par decliner.- The author retains copyright over the work.
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