Engaging Quests for Quintessential Traditional Music: An Irish Excursion
PDF

How to Cite

Mason, K. (2001). Engaging Quests for Quintessential Traditional Music: An Irish Excursion. MUSICultures, 28. Retrieved from https://journals.lib.unb.ca/index.php/MC/article/view/21630

Abstract

The Republic of Ireland has become a favourite tourist destination for leisure travelers from around the world. Drawn to the island’s rich Celtic heritage, its rustic charms, verdant panoramas, and spirited cultural life, tourists provide a lucrative source of revenue for local economies. Among the services that entertain foreign expectations for Irish experiences are the social settings and sounds of traditional music. Through reflection on tfie author’s own cultural encounters living as an exchange student in Belfast, the ways in which musical signs of Irishness are cultivated, interpreted, consumed and transformed in the tourist industry will be explored.
PDF
  • The author retains copyright over the work.
  • The author grants the journal owner (The Canadian Society for Traditional Music / La Société canadienne pour les traditions musicales) an exclusive license to publish the work.
  • The author may post a pre-print or post-print version of the work (see definitions below) on a personal website for up to twelve months after the work is published in MUSICultures. After twelve months, the pre-print version must be replaced with the published version.
  • The author may deposit the published PDF of the work in a non-commercial online repository twelve months after the work is published in MUSICultures, or any time thereafter.
  • Any such deposit must include a link to the work on the MUSICultures website, e.g., https://journals.lib.unb.ca/index.php/MC/article/view/19996

A pre-print is a work-in-progress—a contribution not yet accepted, or perhaps even submitted, to MUSICultures.

A post-print is the version of a contribution after peer review and acceptance by MUSICultures, with revisions completed.

The published version is the PDF file of a contribution as it appears in MUSICultures.

Please note that academia.edu and ResearchGate.com are both for-profit repositories; authors may not deposit the published PDF of the work in these repositories until after the journal’s embargo period.

For permission to reprint or translate material from MUSICultures, please contact Heather Sparling, General Editor of MUSICultures (heather_sparling@cbu.ca).