Abstract
Almost half the traditional songs in the repertoire of well-known Canadian traditional singer LaRena Clark are in ballad metre. This article develops a framework of musical prosody appropriate to ballad-metre songs in English-language oral tradition and contrasts it with the approach of literary theory. Drawing on concepts and findings in music psychology as well comparative musicology and linguistics, statistical analysis shows how LaRena Clark's ballad-metre songs are moderate in tempo relative both to other world music idioms in general and in particular to Hebridean Gaelic songs.- The author retains copyright over the work.
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