Abstract
For almost five years, at the First World War’s French front, military, scholarly, popular and religious music existed together in an entirely new context, accompanying and entertaining the soldiers. But how did these musical exchanges and fusions come to be, and what were their effects? By analyzing the ways these different types of music interacted, this article examines new behaviours adopted in a violent environment, an environment in which the art of music may at first seem out of place. This article therefore falls under the domain of musical anthropology.- The author retains copyright over the work.
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