Abstract
The old debate "What is folk music?" carries a fresh face at the Winnipeg Folk Festival, where it is embodied in a web of considerations regarding economic concerns, availability of mainstream and "world" music artists, and the growing cultural and stylistic diversity of artists who identify as Canadian. Founded in 1974, the festival has produced 35 years of public discourse surrounding the way in which the term "folk music" should be defined. Using media coverage and ethnography, this paper explores how the programming changes at the WFF have helped alter public conceptions of folk music over the past three decades.- The author retains copyright over the work.
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