Wright, K. (2014) “Performing Cultural Crossroads: The Subject-Making Functions of ‘I am’ Declarations in Daniel David Moses’s Almighty Voice and His Wife”, Theatre Research in Canada / Recherches théâtrales au Canada, 35(2). Available at: https://journals.lib.unb.ca/index.php/TRIC/article/view/21958 (Accessed: 21 November 2024).