WRIGHT, K. Performing Cultural Crossroads: The Subject-Making Functions of “I am” Declarations in Daniel David Moses’s Almighty Voice and His Wife. Theatre Research in Canada / Recherches théâtrales au Canada, [S. l.], v. 35, n. 2, 2014. Disponível em: https://journals.lib.unb.ca/index.php/TRIC/article/view/21958. Acesso em: 26 sep. 2022.