@article{Keleta-Mae_2018, title={Canadian Theatre Made for Black Women}, volume={39}, url={https://journals.lib.unb.ca/index.php/TRIC/article/view/28778}, abstractNote={For close to two decades Trey Anthony has carved out a successful career as a published and produced playwright in Canada in a national theatre landscape where few playwrights enjoy sustained success. This is, in part, because Anthony is also an entrepreneur who identified Black women in Canada as a financially viable and lucrative target market and she has consistently self-produced content that is geared specifically to them. This article begins with the production history, critical response, and box office response to Anthony’s play <em>How Black Mothers Say I Love You</em>. It continues with an analysis of the play’s content and characters as representative of staging Black female life and it concludes with a contemplation of what Anthony’s successful cultivation of a Black female audience in Canada suggests about Canadian theatre.}, number={2}, journal={Theatre Research in Canada / Recherches théâtrales au Canada}, author={Keleta-Mae, Naila}, year={2018}, month={Dec.} }