DOUGLAS ARRELL teaches theatre history at the University of Winnipeg. His most recent article, a study of the Winnipeg theatre critic Charles Handscomb, appeared in Canadian Drama/L'Art Dramatique Canadien, Vol 5. He is currently working on a study of the later years of Harold Nelson's career.
L.W. CONOLLY is Professor of English at the University of Alberta. He is a founding editor of Nineteenth Century Theatre Research and among his publications are The Censorship of English Drama and English Drama and Theatre 1800-1900. A past President of ACTH/AHTC, he is now on the Executive Board of the American Society for Theatre Research.
LOUISE H. FORSYTH enseigne le français à l'université Western Ontario depuis 1965. A partir de juillet 1980 elle est directrice du département des études françaises. Ses domaines de recherche sont la civilisation et la littérature québécoises. Elle s'intéresse surtout à l'histoire du théâtre et à l'écriture au féminin. Elle a fait des communications et publié des articles dans les deux domaines.
DAVID GARDNER is an actor, director, and doctoral student at the Graduate Centre for Study of Drama, University of Toronto. He is currently writing a history of the theatre in Canada.
PIERRE B. GOBIN is Professor of French at Queen's University in Kingston. He has written extensively on comparative literature and Quebec drama, with his most recent work Le Fou et ses doubles: figures de la dramaturgie québecoise published in 1978. It was reviewed in Vol 1 no 1 of this journal. He is now working on a sequel to Le Fou et ses doubles.
RAMON HATHORN is Associate Professor of French at the University of Guelph. He has recently completed a study of Sarah Bernhardt's visits to Canada and is currently working on a study of secular and ecclesiastical criticism of theatre in Toronto and Montreal, 1860-1914.
ALEXANDER LEGGATT is Professor of English at University College,
University of Toronto. He is author of Citizen Comedy in the Age of
Shakespeare (1973) and Shakespeare's Comedy of Love
(1974).
He has written articles and reviews on Shakespeare and his contemporaries,
and on modem drama. From 1974 to 1978 he reviewed the year's work in Canadian
drama for the University of Toronto Quarterly.