HÉLÈNE CARTY a enseigné l'Université de Waterloo, à l'Université Wilfrid Laurier et à l'Université de Guelph. Elle enseigne presentement à St. Margaret's. Elle s'interesse au théâtre québécois d'après-guerre.
DES DAVIS was Associate Professor of Drama at Brock University. He is now teaching at Wollongong University, Australia. He was founder and artistic director for over eight years of Carousel Players, a professional theatre for young people in the Niagara region of Ontario.
L.E. DOUCETTE is Associate Professor at the University of Toronto. He is author of Emery Gibot: Seventeenth-Century Humanist (1970) and of a forthcoming history of theatre in French Canada before Confederation.
LOUISE H. FORSYTH est directrice du département des études françaises à l'université Western Ontario. Ses domaines de recherche sont la civilisation et la littérature québécoises. Elle s'intéresse surtout à l'histoire du théâtre et à l'écriture au féminin. Elle a fait des communications et publié des articles dans les deux domaines.
JOHN HARE, Professor in the Department de Lettres françaises, Université d'Ottawa, has published widely in the field of Quebecois bibliography and theatre history. Drama critic for the Ottawa Citizen, he is preparing a critical edition of the works of Joseph Quesnel.
RAMON HATHORN, Associate Professor in French Studies, University of Guelph, has published articles on the Quebecois novel and on Sarah Bernhardt in Canada. He is preparing a study of censorship of the stage in Toronto and Montreal from 1880 to 1914.
LINDA M. PEAKE is a student at the Graduate Centre for Study of Drama in the University of Toronto, where she is writing a doctoral thesis on theatre in Prince Edward Island from 1800 to 1920. She is a stage manager and director and has taught theatre arts at Seneca College and drama to children.
MARY ELIZABETH SMITH is Chairman of the Department of English at the University of New Brunswick in Saint John. As well as publications in Renaissance theatre and drama, she has written numerous articles on Canadian theatre, and recently completed Too Soon the Curtain Fell, a history of theatre in Saint John, New Brunswick, from 1789 to 1900.