ROBIN BREON has worked professionally as an actor, playwright and director. He holds a Master's degree in education and is a founding member of the Toronto Drama Bench/Canadian Theatre Critics Association.
FRED EURINGER, actor, director and playwright, teaches in the Department of Drama, Queen's University at Kingston. He worked with Jean Gascon at the Stratford Festival and at the National Theatre School, and was head of the Drama Department when Jean Gascon received an honourary degree at Queen's.
KATHLEEN FRASER is a SSHRCC Post-Doctoral Fellow at the Graduate Centre for Study of Drama, University of Toronto. She has published articles on nineteenth-century theatre history and is currently researching an Ontario-based theatre circuit as well as the image of women on the late nineteenth-century stage.
CAROL W. FULLERTON teaches in the Department of English at the University of Calgary. She is currently working on a study of later nineteenth-century Canadian literary life.
DAVID GARDNER is a professional actor, director, teacher and Canadian theatre historian. In addition to television and film appearances he has performed with Stratford, the Old Vic, Tarragon and Necessary Angel. In the 1960s he produced drama for CBC Television and was later Artistic Director of the Vancouver Playhouse and Theatre Officer for the Canada Council. He obtained his doctorate from the University of Toronto with a thesis on the early years of Canadian theatre history, and has taught at the Graduate Centre for Study of Drama and University College, University of Toronto.
JILL TOMASSON GOODWIN has written a doctoral dissertation on Andrew Allan at the University of Toronto, and now teaches in the Drama Department of the University of Waterloo.
CHRIS JOHNSON is Director of the Theatre Programme, Department of English, and Artistic Director of the Black Hole Theatre Company at the University of Manitoba. He has a number of publications in Canadian drama and theatre, is Theatre Editor for Border Crossings, and recently directed a production of George F Walker's Criminals in Love at the Gas Station Theatre in Winnipeg.
RICHARD PAUL KNOWLES teaches and directs at Mount Allison University. He has contributed articles on Shakespeare and on Canadian theatre to a variety of periodicals, and has worked at the Stratford Festival as an Assistant Director.
ROBERT G. LAWRENCE, a founding member of ACTH/AHTC, member of its executive and Elections Officer, has published many articles on Canadian Theatre History. He is a retired member of the Department of English, University of Victoria.
LARRY McDONALD teaches Canadian literature at Carleton University. A founding member and past Artistic Director of the Great Canadian Theatre Company in Ottawa, he has worked on a number of collective creations, including a remount of the Mummers' Buchans.
PATRICK B. O'NEILL is Associate Professor of Speech and Drama at Mount Saint Vincent University, and is currently editing volume six of Canadian Copyright Deposits in the British Library.
MALCOLM PAGE is professor of English at Simon Fraser University and a Past President of ACTH/AHTC. Recent publications are Richard II (1987) and three books in Methuen's series, 'Writers on File,' on Peter Shaffer (1987), John Osborne (1988) and Alan Ayckbourn (forthcoming). He is now completing a study of Michael Cook's plays.
ANTON WAGNER is a founding member of ACTH/AHTC, serving as Secretary and Vice-President. He received his doctorate from the University of Toronto with a thesis on 'Herman Voaden's Symphonic Expressionism,' and is editor of the Brock Bibliography of Published Canadian Plays in English (1980), of the four-volume series Canada's Lost Plays and, most recently, of Contemporary Canadian Theatre: New World Visions.