JOHN BALL is College Librarian at the V W Bladen Library, Scarborough College, University of Toronto, and is co-compiler of the Bibliography of Canadian Theatre History 1583-1975 and its Supplement 1975-76. He is currently working on a new bibliography of theatre history in Canada.
DAVID BEASLEY is a research librarian at the New York Public Library. His books include: The Canadian Don Quixote: The Life and Works of Major John Richardson (Porcupines Quill), a biography of Canada's first novelist; The Suppression of the Automobile (Greenwood), Through Paphlagonia with a Donkey (Davus), and How to Use a Research Library (Oxford).
ANNE CARRIER occupe un poste de professionnelle de recherche à l'Université Laval de Québec au sein de l'équipe dirigée par M. Maurice Lemire, qui prépare l'Histoire littéraire du Québec (1764-1914). Auteure d'une thèse de doctorat sur les Chroniques du lundi de Robertine Barry, elle effectue maintenant des recherches sur la vie théâtrale et la dramaturgie québécoises aux XVIIIe et XIXe siècles.
ALAN FILEWOD teaches in the Department of Drama at the University of Guelph, is editor of Canadian Theatre Review and a founding board member of the Ontario Popular Theatre Alliance.
JILL TOMASSON GOODWIN is Assistant Professor in the Drama Department, University of Waterloo. Particularly interested in radio drama and Canadian theatre history of the 1940s and '50s, she has published articles on radio drama in Canadian Theatre Review and Canadian Drama/L'Art dramatique canadien.
GERRY GROSS, Associate Professor, Concordia University, was formerly Assistant Dean of the Faculty of Arts, and Chairman of the Department of Theatre in which he now teaches. He is currently working on a play dealing with Reuben Ship's experiences.
DENIS W JOHNSTON is a post-doctoral fellow in theatre history at the University of British Columbia. He is the author of Up the Mainstream: The Rise of Toronto's Alternative Theatres (1990), and of several articles on Canadian drama and theatre.
DENYSE LYNDE, a drama specialist, is Assistant Professor of English at Memorial University in St. John's, Nfld.
MARY JANE MILLER is Professor of Dramatic Literature in the Department of Film Studies, Dramatic and Visual Arts, Brock University. She has written on Canadian theatre history and is the author of Turn Up the Contrast: CBC Television Drama Since 1952.
LAURE RIESE, professeure émérite d'études françaises à l'Université de Toronto, a signé plusieurs monographies, don't L'Ame de la poésie canadienne-française (1955) et Les Salons littéraires parisiens du Second Empire à nos jours (1962), aussi bien que de nombreux articles sur les littératures française et canadienne-française.
ROSS STUART, former Chairman of the Department of Theatre at York University, wrote the chapter on summer festivals for the forthcoming Volume II of Ann Saddlemyer's history of Ontario theatre.
ROBERT WALLACE is Chair of the Department of English, Glendon College, York University. Formerly editor of Canadian Theatre Review, he is co-editor of The Work: Conversations with English-Canadian Playwrights, editor of Quebec Voices: Three Plays, and a frequent contributor to Canadian theatre criticism in print and on CBC radio.