LOUISE H. FORSYTH is a member of the Women's and Gender Studies Department, associate member of the French Department and the Drama Department of the University of Saskatchewan. Her areas of research and teaching specialization include Quebec theatre history and feminist theatre in Quebec and anglophone Canada.
ALAN FILEWOD is Professor and Associate Director of the School of Literatures and Performance Studies at the University of Guelph, where he teaches Canadian drama and theatre. He is the author of Collective Encounters: Documentary Theatre in English Canada, and co-author (with David Watt) of Workers' Playtime: Case Studies in Theatre and Labour (due in 1999 from Currency Press). He has served as president of the Association for Canadian Theatre Research, and editor of Canadian Theatre Review.
ALBERT-REINER GLAPP, OBE is a professor at Heinrich-Heine-University Düsseldorf. He is the author of three books and twenty articles on Canadian Drama, i.e. Das Englisch-Kanadische Drama, Berlin: Schwann-Cornelsen, 1991; On-Stage and Off-Stage. English Canadian Drama in Discourse, St. John's, Breakwater, 1995; Stimmen aus Kanada. 25 kanadische Dramen für deutsche Bühnen, Trier: Wissenschaftlicher Verlag Trier (WVT), 1997.
DENIS JOHNSTON is Co-Director of the Academy of the Shaw Festival, and formerly taught theatre history at the University of British Columbia. He is the author of Up the Mainstream: The Rise of Toronto's Alternative Theatres, 1968-1975.
DANIEL-RAYMOND NADON is an assistant professor of theater at Kent State University in Ohio. He received his Ph.D. from the University of Colorado at Boulder in 1993 and completed a Fulbright stay in Montreal in 1993 to work on his dissertation on the works of Michel Tremblay.
ALVINA RUPRECHT is Associate Professor of French at Carleton University. She has published articles on the theatres of Quebec, Guadeloupe, Martinique and Haiti. She is currently working on a book on the Francophone and Creolophone theatres of the Caribbean. She is a regular theatre reviewier for CBC Ottawa.
PAULA SPERDAKOS teaches acting and theatre history, and directs musicals, dramas and comedies, at the University of Toronto at Scarborough. She is the author of Dora Mavor Moore: Pioneer of the Canadian Theatre, and is presently working on a biography of Kate Reid.
ANTON WAGNER is the editor of A Vision of Canada: Herman Voaden's Dramatic Works 1928-1945 (Simon & Pierre, 1993).