Forum 2: Performance of Labour

Performance of Labour

Edited by CASSANDRA SILVER and MYRTO KOUMARIANOS

1 In our call for this Forum we invited reflections on urgent questions about the state of unrest in North American universities by invoking the performativity of both scholarly pursuit and academic work. We were particularly keen to engage with the energy of the moment—the spring strikes of Teaching Assistants and contract faculty at both York University and the University of Toronto were already well underway—hoping that critical reflection might beget yet more critical (performative, creative, political, intellectual) action.

2 In their writing, the authors who responded to that call proposed a set of questions rather than answers, staging a subversive return of Althusser’s, "Hey, you there!" ("Ideology") in their reaction to a complexly layered interpellation—for, who was being called to answer: a union member? an academic? an administrator? a grad student? a scholar? a striker? a performer? an activist? And what could be the shape and life of that response? In what number? In what medium and to what end? The tendency of these authors to insist in and on the lingering questions, rather than offering answers, seems right to us.

3 Months later, at the moment we pen this introduction, the York and University of Toronto labour actions have ended. It has been an uneasy and unsatisfying ending for some; these new contracts will expire as early as two years from the time that the authors included in this Forum composed their thoughts and impressions of the strike. Certainly, the story of this labour unrest has not concluded and the conversation extends beyond the institutions being interrogated here. There have been and are currently similar strikes, actions, and conversations across North America, Europe, and elsewhere as globalization moves towards ever more standardization of the academic and pedagogical machinery.

4 But what is the system we belong to as scholars? Is it in fact a "machinery?" Is it an animal (echoing Samur’s metaphor)? A market (as we have become used to referring to it)? This system (machine? animal? market?) surely needs a revival… It is struggling, and its portended collapse is already affecting thousands of current and future seekers and makers of knowledge. Can we accept the current conditions as the foundation upon which our future as a knowledge-making civilization will be built? If we accept its terms, then we perpetuate them, humiliating and excluding many brilliant minds and bodies in the process. Our activist, political, scholarly, and creative actions have to respond to, redefine, revivify, and perform other desired futures. Beyond our individual struggles, when we come together, we can once again remember (because our memories, alas, are weak!) that as femi- nism taught us: the personal is still political! When we’re called to embody a subject we don’t recognize ("Hey, you there!"), we must grab our colleagues (friends or strangers, all possible characters), turn (or twirl as in dance) and say (or chant): "Yes, we! Everywhere!" For we are many and we share much despite our precious and important differences. But we can only share and shape the future of our work if we can learn to listen to each other, learn to join voices, so that each may be heard. A song, a dance, demanding to be seen as an allied multiplicity, demanding respect for our work and for the pursuit of knowledge and creation, wherever it happens to be found, can upset the complicities implied in and demanded by the interpellation-isolations that the neoliberal capitalist knowledge market/machinery attempts to perform upon us.

Works Cited
Althusser, Louis. "Ideology and Ideological State Apparatuses." Trans. Ben Brewster. Marxists Internet Archive. 7 Nov. 2015. Web.