Browse Title Index


 
Issue Title
 
Volume 27, Number 2 (2002) “inventory is useless now but just to say”: The Politics of Ambivalence in Dionne Brand’s Land to Light On Abstract   HTML   PDF
Sophia Forster
 
Volume 28, Number 2 (2003) “It seems so much the truth it is the truth”: Persuasive Testimony in Alice Munro’s “A Wilderness Station” Abstract   HTML   PDF
Isla J. Duncan
 
Volume 39, Number 1 (2014) “Let Me Breathe of It”: A Circumpolar Literary and Ecological Perspective Abstract   HTML   PDF
Allison K. Athens
 
Volume 38, Number 1 (2013) “Magic Moments”: Temporal Modelling and the Call for Responsibility in Lee Maracle’s Daughters are Forever Abstract   HTML   PDF
Elizabeth Jackson
 
Volume 25, Number 1 (2000) “Of the Irritable Genus”: The Role of Susanna Moodie in the Publishing of Roughing It in the Bush Abstract   HTML   PDF
Alison Rukavina
 
Volume 38, Number 1 (2013) “Off to one side of the curve”: Perpetual Expedition and Regional Identity in M. Wylie Blanchet’s The Curve of Time Abstract   HTML   PDF
Carl Watts
 
Volume 29, Number 1 (2004) “Publica(c)tion”: E. Pauline Johnson’s Publishing Venues and their Contemporary Significance Abstract   HTML   PDF
Sabine Milz
 
Volume 41, Number 1 (2016) “Supercharged Reality”: Documentary and Theatrical Disciplinarity Abstract
Alan Filewod
 
Volume 27, Number 1 (2002) “Tampering With the Truth”: John Steffler’s The Afterlife of George Cartwright in Dialogue with History Abstract   HTML   PDF
Nicola Renger
 
Volume 26, Number 1 (2001) “The Negative Capability of Camouflage”: Fleeing Diaspora in Fred Wah’s Diamond Grill Abstract   HTML   PDF
Cynthia Sugars
 
Volume 24, Number 1 (1999) “The Opposite of History is Forgetfulness”: Myth, History, and the New Dominion in Jane Urquhart’s Away Abstract   HTML   PDF
Herb Wyile
 
Volume 39, Number 2 (2014) “The Suitable Language of Love”: Confessional Discourse in By Grand Central Station I Sat Down and Wept Abstract   HTML   PDF
Myra Bloom
 
Volume 39, Number 2 (2014) “The True History of My Brother Tom’s Dog”: A Lost Autobiographical Tale by Catharine Parr Traill Abstract   HTML   PDF
Jennifer Harris
 
Volume 40, Number 2 (2015) “The Unavoidable Collision of Religion and Life”: Scots Presbyterianism in Alice Munro’s Fiction Abstract   HTML   PDF
Pilar Somacarrera
 
Volume 39, Number 2 (2014) “The Vivid Feeling of Creating”: An Interview with France Daigle Details   HTML   PDF
Andrea Cabajsky
 
Volume 39, Number 2 (2014) “There Are Things You Don’t Get Over”: Resistant Mourning in Lisa Moore’s February Abstract   HTML   PDF
Caitlin Charman
 
Volume 38, Number 2 (2013) “There’s a treatment centre where the residential school used to be”: Alcoholism, Acculturation, and Barriers to Indigenous Health in Eden Robinson’s Monkey Beach Abstract   HTML   PDF
Cara Fabre
 
Volume 38, Number 2 (2013) “There’s Minny a One in Ould Ireland”: Judy Plum’s Witchcraft of Irish Stereotypes and Storytelling Abstract   HTML   PDF
Aoife Emily Hart
 
Volume 39, Number 1 (2014) “This page faintly stained with / green”: Compost Aesthetics in John Steffler’s That Night We Were Ravenous Abstract   HTML   PDF
Adam Beardsworth
 
Volume 40, Number 2 (2015) “True Stories,” Real Lives: Canada Reads 2012 and the Effects of Reading Memoir in Public Abstract   HTML   PDF
Danielle Fuller, Julie Rak
 
Volume 39, Number 1 (2014) “Where the Mysterious and the Undefined Breathes and Lives”: Kathleen Winter’s Annabel as Intersex Text Abstract   HTML   PDF
Paul Chafe
 
Volume 39, Number 1 (2014) “You Are Turning into a Hive Mind”: Storytelling, Ecological Thought, and the Problem of Form in Generation A Abstract   HTML   PDF
Jenny Kerber
 
Volume 35, Number 1 (2010) “You saw me cross the bar”: Masculinity, Disability, and the Western in Guy Vanderhaeghe’s The Englishman’s Boy Abstract   HTML   PDF
Nadine LeGier
 
Volume 33, Number 1 (2008) « Aux difformes et aux légèrement dérangés » : la figure du grotesque comme moyen d’accès au désordre du refoulé dans trois nouvelles d’Alice Munro Details   HTML   PDF
Jennifer Murray
 
Volume 26, Number 1 (2001) « Comment être dans un monde postmoderne? » : une Québécoise en Amérique dans Copies conformes Details   HTML   PDF
Karin Schwerdtner
 
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