Janne Cleveland Staging Strategies in Canadian Drama and Performing Arts: Where Have We Been and Where Are We Going? Requires Subscription PDF
Duncan McCue “Sovereign Storytellers, Sovereign Space”: A Conversation about Indigenous Theatre with Kevin Loring Requires Subscription PDF
Brenda Vellino Counter-Memorial Documentary and Kincentric Honouring Practices in Marie Clements’s The Unnatural and Accidental Women Requires Subscription PDF
Cynthia Sugars “Not Everybody Who’s Peculiar Is Insane”: The Lavender Scare in Girl in the Goldfish Bowl Requires Subscription PDF
Claire Margaret Granum Resurgence of Land-Based Pedagogy in Yvette Nolan’s The Unplugging Requires Subscription PDF
Henri Feist Wittgenstein’s Dreamer: Skepticism in John Mighton’s Possible Worlds Requires Subscription PDF
Karl Jirgens Virtuality and Actuality in Janet Cardiff’s Solo and Collaborative Walking Tours with George Bures Miller Requires Subscription PDF
Kathleen Gallagher, Munia Debleena Tripathi, Lindsay Valve Rethinking Liveness through the Digital Real: The Virtual as a Performance Venue in Empirical Theatre Research Requires Subscription PDF
Sandrine Duval Les trois exils de Christian E. ou l’hybridation conte-théâtre dans le monologue acadien Requires Subscription PDF
Heather Fitzsimmons Frey, Belarie Zatzman “Wanting Justice . . . Wanting Answers . . . Wanting Change”: Staging Multiple and Diverse Identities in Canadian Theatre for Young Audiences Requires Subscription PDF
Fatme Abdallah Representing the Refugee Body: Liminality, Precarity, and Alterity in Ahmad Meree’s Suitcase/Adrenaline Requires Subscription PDF
Ava Alavi, Rachael Powles Crossing Lines, Crossing Borders: The Translator’s Role in Subverting Power Structures in Naghmeh Samini’s The Child Requires Subscription PDF
Kendra Guidolin Bringing Stories to the Screen and “Out of Silence”: An Interview with Hannah Moscovitch Requires Subscription PDF
